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Ming Porcelain - Exhibition 2009
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MARCHANT

Specialist in Antique Asian Art

Blue & White
Please, click on the thumbnails to find out more
A pair of Chinese porcelain blue and white hexagonal ewers and covers,decorated on each facet with a floral medallion beneath panels of flowering lotus, chrysanthemum and lotus ponds on the sloping shoulder, the foliate everted rim with panels of flower heads, beneath a moulded chrysanthemum flower head and prunus bud form finial on the cover, all on a hexagonal raised foot rim.
Blue and white charcoal container hiire, painted in a continuous scene with a boat, its sail furled, being pulled through choppy waters by three men on the shore edge wearing a harness, the bow and stern continue around the corners of the vessel as do the harnessed men, all above a scroll band on the raised foot and beneath a double line in underglaze blue at the rim.
Blue and white pouring vessel with two spouts painted on the exterior with three depictions of the seated immortal Shoulao the god of longevity, holding his staff, being brought an offering by an attendant, twice with a kneeling boy offering a drink on a tray and once with a standing attendant holding a branch, all between a single line at the rim and above a chequered pattern and two pairs of double lines.
A pair of Chinese porcelain blue and white pear-shape bottle vases with slightly flared rims, each painted with Chang Er, the moon goddess, amongst her female attendants, one vase with her reading a scroll, the other with her addressing her attendants who hold white rabbits, fans, qins wrapped in brocade covers, osmanthus sprigs, a peach, a basin and a fly whisk, all in a fenced, palace balcony scene, with a screen of wave design, the reverse with wuti and pine amongst rockwork, all beneath clouds and the moon.
Blue and white conical 12 sided faceted food bowl on splayed foot, painted on the exterior in each facet with a single ruyi head, above a band of stylised leaves, the foot with a triangular wave band, the interior painted in the well with a camellia flower head on a leafy branch, beneath a band of petal tips and a blue single line at the rim.
Blue and white deep dish painted with two peonies in full bloom growing from a single stem bearing buds and veined leaves, encircled in the well by a continuous band of seven peony flowerheads and buds on a single stem, between double rings, the everted rim with a wide classic scroll band outlined by a single line border inside the raised lipped rim, the underside with a continuous scrolling branch with eight lotus flowerheads, the base unglazed.
Blue and white food bowl with irregular foliate eight petal lobed rim, painted in the well of the interior with a double ring circular medallion enclosing a scholar holding a staff and his attendant holding a wrapped qin, on the edge of a rocky promontory looking out over a lake with a house on the distant shore, beneath birds in flight and the moon, butterflies and insects beneath the blue washed rim, the exterior with two butterflies and two insects beneath eight prunus flower heads above an ogee lobe and a tall foot rim.
A pair of Chinese porcelain Ming blue and white deep dishes, one painted in the centre with a mountainous river landscape scene with fishermen in their boats travelling between steep mountains with pagodas, pavilions, pine and wuti; the other with a city wall, pagoda and pavilions in the distance, with a large boat, six fishing boats and a tall pagoda divided by a central mountain with a large pine tree, each dish encircled by six lobed panels of birds perched on flowering branches including chrysanthemum, camellia and peach, all on grounds of cash and scale diaper, the undersides painted with three birds perched amongst large flowering branches above scrolls on the foot.
A pair of Chinese porcelain blue and white baluster vases and covers, each with moulded panels with a central band of qilin amongst rockwork between bands of pairs of birds amongst rockwork and flowering plants, all beneath a panelled band with rabbits at the shoulder, on a geometric key-fret ground, all on a stepped raised foot with ruyi heads, the covers with panels of birds. The base with leaf mark within a double ring.
Blue and white circular food bowl with flared rim and tall foot, painted with a continuous rocky mountain river landscape, a standing scholar with staff on the edge of a rocky promontory looks out at two fishing boats with three mountain peaks in the distance, beneath the moon, all between double lines, the foot with band of stylised leaves.
A large Chinese porcelain Ming blue and white saucer dish painted with five carp, li yu, amongst flower sprays and aquatic plants, encircled by underglaze blue double rings, the underside with six cranes between ruyi-head cloud sprays, above a band of scrolls at the foot and beneath a further double line in underglaze blue, the base unglazed.
Blue and white tea bowl of cylindrical form on a tall foot, painted with two pairs of characters ji xi
A Chinese porcelain large blue and white kosometsuke saucer dish in the form of a lotus flower-head, with moulded petals and foliate rim, the centre with an open flower-head encircled by a band of stylised leaves and a blue ground band of scrolls beneath the double petal moulded leaves dispersed between wan characters, the underside similarly decorated with a double band of moulded lotus petals.
Blue and white incense container and cover, kôgô, moulded in the form of a three-legged toad, the cover forming the top half and head of the animal all decorated in reverse technique with prunus flower heads on a speckled blue ground, the lower section with three feet similarly decorated, the interior glazed, the base and edges unglazed, burnt red in the firing, the tail, nose and mouth with mushikui.
A pair of Chinese porcelain blue and white ewers, each of fluted form, decorated on the body with twelve panels of flowering branches including, peony, daisy, prunus, lotus, camellia and chrysanthemum, between two moulded lotus leaf bands, the shoulder with a band of stylised flowers beneath the fluted neck, also decorated with flowering branches, between moulded lotus leaves at the mouth, the animal mask spout decorated with stylised clouds.
Blue and white incense container kôgô of circular form, the cover moulded as a frog on a lotus leaf amongst grass sprays the grass repeated on the circular base, the elbow with mushikui.
A Chinese porcelain kosometsuke waterpot in the form of twin peaches, with stalk and foliage in relief, painted with four butterflies on a key-fret ground, the three biscuit feet of butterfly form.
A Chinese porcelain blue and white kosometsuke sweetmeat dish in the form of a fisherman or gaijin (foreigner) holding a conch, wearing a large hat and a sash all on four circular feet, the details rendered with lines, wash and fukizumi, the underside with his face moulded and painted to reveal the features and enriched with fukizumi.
A Chinese porcelain blue and white kosometsuke sweetmeat dish in the form of a conch shell, painted with a carp li yu amongst aquatic plants, the ribbed end with fukizumi, the underside with further fukizumi, on three circular feet. 7 ¼ inches, 18.4cm long.
A Chinese porcelain blue and white kosometsuke sweetmeat dish in the form of a sheep, the face outlined, the body with a blue wash ground and individual lines to imitate the hairwork, moulded on the underside to reveal the features, all on three short feet.
A Chinese porcelain blue and white kosometsuke sweetmeat dish in the form of a Chinese perch gui yu, the details painted in lines, wash and splashed dots fukizumi, the underside moulded to reveal the features of the fish, on three circular feet.
A Chinese porcelain blue and white kosometsuke sweetmeat dish in the form of a recumbent buffalo, the details picked out in lines and blue wash splashed on both sides with fukizumi, the underside moulded to reveal the features with the outlined face, all on three short feet.
A Chinese porcelain blue and white kosometsuke sweetmeat dish in the form of a recumbent horse, the details painted in outline and blue wash, the underside moulded and outlined to reveal the features of the horses head and splashed with fukizumi , all on four short feet.
A Chinese porcelain blue and white sleeve vase, rolwagen, painted with vases containing flowering plants including a crackled vase in a stand with lingzhi, fungus branch and camellia, a tall slender vase with prunus, a gu form vase with prunus and bamboo, a tripod crackled censer with leaf sprays, a blue ground vase painted with ruyi-heads in a stand containing peony and a square jardinière with orchids and rock, all above “V”-shaped grass and rockwork beneath the moon, the slightly flared neck with stylised leaves, the flat base unglazed.
Imperial massive blue and white fish bowl, yu gang, with lipped rim, painted with three carp and a freshwater perch (also known as mandarin fish) amongst lotus flowerheads, leaves, underground stem (rhizome), water clover, fern and other aquatic plants, all between double lines, the base unglazed.
A Chinese porcelain blue and white bottle vase with slender cylindrical neck and gently flaring rim, painted with the moon goddess Chang Er and nine of her attendants, some with scroll, wrapped qin, peach, white hare, osmanthus sprig and fan respectively, all in a continuous scene with screen, wuti and cloud scrolls beneath the lotus topped roof and the moon, four character mark of Chenghua.
Five blue and white moulded leaf shape dishes on three bracket feet each painted in the reverse technique in the form of a single leaf with central spine from which everted striped lines emit, painted with stylised water drops beneath a serrated edge.
Blue and white incense burner in the form of a duck wading in a shallow lotus pond, the wings and feathers delicately modelled in an upright position with detailed painting to the feathers, the head turned towards the front with an open mouth from which the incense would have emerged, the base on three short feet decorated with the feet of the duck amongst lotus leaves and aquatic plants.
A Chinese porcelain blue and white baluster vase with flaring ribbed neck, painted with palace scenes of the Emperor and lady musicians in front of a canopied screen, all amongst clouds and rockwork with fencing, the reverse with three different trees all beneath a ribbed neck with bands of keyfret scrolls and studs.
Blue and white waterdropper in the form of a peach with branch form stem and flower form spout, painted with a large butterfly and an insect amongst eight stylised speckled flower heads, the base of the stem forming the foot rim.
Blue and white jar of hexagonal baluster form, painted with four octofoil panels of three carp and a perch (known as a mandarin fish) amongst lotus and aquatic plants separated by four pairs of stylised lotus flowerheads and lingzhi clouds, each facet of the shoulder with a ruyi-head lappet enclosing a shou character on a blue-wash diaper ground divided by pendant jewels, the neck with quatrefoil floral panels, the foot with floral lappet band, the base unglazed with collector’s flower head drill mark.
Blue and white double pomegranate openwork waterdropper, painted with two butterflies behind fruiting pomegranate branches with birds perched, a further butterfly above the large moulded leaf form spout with pierced openwork beneath the five pointed double pomegranates, all on three short feet joined by a moulded branch.
A Chinese porcelain blue and white, underglaze copper-red and celadon brushpot, bitong, the cylindrical body carved with a continuous river landscape scene, with three figures in a boat crossing a wide river towards a village with pine trees, wuti, plants and rockwork.
Blue and white small plate painted in the centre with two scholars crossing a bridge beside a rocky promontory and a viewing pavilion with trees and mountainous landscape and a central rock situated in the middle of the water which is indicated by linear striations, all within a double ring, the flat everted rim asymmetrically decorated with two roundels of prunus flower heads and four roundels with chevrons and crosses between single lines.
A Chinese porcelain minyao blue and white bowl of thinly potted deep form, painted on the exterior with four panels divided by rocks and clouds, with figural scenes of soldiers, monks, ladies with their attendants and a scholar holding a fan behind a wall, the interior painted with five boys at play by a rocky ledge with a building in the distance.
Blue and white saucer dish painted with four buffalo with a seated herdsman looking on amongst grass sprays and rockwork, the scene framed at the top with fourteen lozenge form flower heads all encircled within a single underglaze blue line, the underside painted with two pairs of winter branches beneath double lines with flat foot rim and recessed base, the rim with extensive mushikui.
A Chinese porcelain blue and white vase of rouleau form with high shoulder and galleried rim, painted with a scholar and attendant crossing a rocky promontory in a mountainous river landscape scene, with a fisherman seated in his boat, houses in the mountains, waterfall, pine, wuti and a pair of birds in flight, the neck with ruyi-head, keyfret and interlocked bands, divided by a single rib.
A Chinese porcelain blue and white baluster vase with flared rim, three string ribs at the shoulder and gently tapering body, painted with three large deer in a continuous landscape, with two interlocked pine trees amongst rockwork and grass beneath stylised clouds, the neck with two lozenge panels of a bird perched on a flowering camellia branch with insects amongst flowering pinks and daisies.
Blue and white miniature Shonzui type censer painted with three roundels of pine, willow and three birds in flight, all on three different geometric grounds of cash, wan character, and scales beneath a band of keyfret, the inverted lipped rim with ruyi head scrolls on a blue wash ground.
A Chinese porcelain blue and white vase of gu form with galleried rim, painted on the central bulge with the young Emperor seated holding a lotus flower, three attendants holding hu tablets in front of a screen beside two standing guards, each holding a halbard in a fenced terrace with bamboo plants and wuti, the neck with three officials also holding hu tablets, one pointing at the moon with their attendants holding gifts in a fenced landscape scene, with rockwork and bamboo at the edge of a terrace, beneath a triangular diaper on the rim, the foot with a further diaper band beneath a wide band of three pine branches.
Blue and white double gourd form sake bottle of Shonzui type, painted on the lower section with four lingzhi on a continuous branch amongst scrolling foliage, beneath a wide band of stylised leaves at the shoulder, and below another with a band of flames, lozenge pearl and satellite dots, the upper bulb with conch shell, music stone, fan, jewels, gourd, wan character, flames and flower heads, beneath two pairs of geometric diaper bands on the tall cylindrical neck, the base unglazed.
A pair of Chinese porcelain blue and white moulder flower-form bowls with foliate rims, each painted with tweleveimmortals above stylized clouds, with Shoulao the god of longevity and head of the immortals seated hoding a ruyi sceptre, the other immortals all identifiable by their attributes including Lu Dongbin with his sword and fly whisk and Li Taiguai with his crutch and gourd, all above the twelve different flower sprays representing the months in relief petals, the interior painted in the well with Tong Fangso standing on stylised clouds and holding his peach branch over his shoulder beneath a band of petals and flower-heads on a blue washed ground at the rim.
A pair of Chinese porcelain blue and white vases of yanyan form, both painted on the body with eight stylised lotus form panels each enclosing one of the “eight immortals”, standing holding their attributes in a fenced garden scene amongst rockwork and plants, all on a dense, lozenge diaper ground beneath triangular bands at the rim, one with a scroll band on the neck, the other with a keyfret.
Imperial blue and white pear-shaped bottle vase with cylindrical flared neck and galleried rim painted on the body in a continuous scene with the eight Daoist immortals, Shoulao and two other immortals with an attendant chasing a hound, some holding their attributes, others with their attributes in the sky, all in a landscape with pine trees beneath clouds, with a dragon in flight, a floating sword, broom and a crane beneath mountain peaks and birds, the neck with two bands, one of triangular diaper, beneath branches and scrolls.
A Chinese porcelain blue and white and underglaze copper-red lantern vase, painted with the three star gods, Luxing, the god of rank and affluence holding a boy and wearing a jacket decorated with bats, and Shoulao the god of longevity wearing a robe with a ``hundred`` shou characters, on either side of Fuxing, the god of happiness and wealth symbolising the embodiment of the Emperor, wearing a five-claw dragon robe and a neck plaque with the characters qinci ``Imperial favour bestowed from the Emperor``, while stroking his beard and holding a ruyi sceptre, all beside four further children holding a peach, lingzhi branch and prunus branch respectively in a continuous landscape scene with a speckled deer and two cranes beneath pine amongst rockwork and bamboo sprays with a single bat in flight, all between bands of ruyi head on the gentle ogee foot and a band of different underglaze copper-red flowerheads amongst foliage repeated on the neck between two ribs and three bands of varying ruyi-heads.
Imperial blue and white small shallow bowl painted on the exterior with six of the eight Daoist immortals, Han Zhongli holding his fan, Cao Guojiu his two beaters for keeping time, Zhang Guolao the fish drum and two metal beaters, Lan Caihe a vase, Lu Dongbin seen here with a book, and Li Tieguai holding a gourd, all above crested waves, the interior painted in the well with a flowerhead medallion of chrysanthemum, prunus, camellia and peony within a double ring.
A Chinese Imperial porcelain blue and white Ming style dice bowl, thickly potted with upright sides, painted with six lotus flower-heads amongst scrolling foliage, above a band of scrolls on the foot and beneath a band of crested waves at the rim.
Blue and white dish with flat everted rim painted in the centre with two standing dignitaries and a warrior looking at a boy holding a broom and pointing at an army in the distance behind a mountain, all in a winter landscape, with rockwork, trees and overhanging bamboo within a double ring, the lipped rim with 25 flower head and leaf roundels, the underside with four crested waves, the rim with mushikui.
A Chinese Imperial porcelain blue and white cong with lipped rim, painted with two five clawed dragons amongst stylised ruyi-head clouds and flames, above a wide band of crested waves, all between double lines in underglaze blue.
Blue and white hexagonal baluster vase with gently waisted neck, painted with five carp and a perch (also known as a mandarin fish), each swimming in their own abstract white reserve formed as crested waves, on an underglaze blue swirling wave ground, above a band of stylised leaves and lappets at the foot and beneath a band of six large interlocked ruyi-heads at the shoulder, the neck with six rectangular panels of aster flowerheads between stylised leaves, the base unglazed.
Blue and white deep dish moulded in the form of a chrysanthemum flower head, on three short cabriole feet, painted with a mountainous river scene, the centre with two fishing boats sailing between a two tier house beside rockwork, the other bank with a viewing pavilion in the distance and the single peak of a tall mountain in the distance beneath the moon, a double line border at the petal edge, the underside white and ribbed with a thick blue tinged glaze, the edges with mushikui.
Blue and white pear-shaped bottle vase with tall slender neck, painted on the body with a pair of falcons, each standing and tied to a perch between jardinières of chrysanthemum, camellia and rockwork on low pedestal stands, all beneath the moon with cloud scrolls and two further birds in flight, beneath pendant tasselled necklace on the neck, surmounted by a Middle-Eastern metalwork cover.
Blue and white two handled tripod incense burner painted in a continuous mountain river scene, each side with two fisherman in boats heading towards viewing pavilions with a willow amongst rockwork beneath further viewing pavilions at the shoulder, birds in flight amongst stylised clouds and the moon, the interior of the handle painted with a yang symbol of three unbroken lines, the exterior of the handles with a single line beneath a dot, covered overall in a rich blue tinged glaze continuing on the interior, the rim and feet with mushikui.
Blue and white saucer dish heightened in underglaze copper-red painted with a fisherman seated in his boat beside rockwork and a large overhanging willow looking out at two flocks of birds and four underglaze copper red carp appearing to swim away from him, all within a single line beneath the rim, the underside with four pearls and satellite dots.
Blue and white square deep dish painted with a mountainous river scene, the centre with a covered boat with flag on a tall mast, heading towards a large pavilion, transporting a dignitary and three figures, who look at a scholar and attendant carrying a qin on the river bank, the flat everted rim with band of keyfret on a blue wash ground.
Blue and white ko-sometsuke water bucket and cover, mizusashi, of broad cylindrical form with upright gate handle imitating the wooden prototype, painted on the body with two bands of twelve panels divided by a blue-washed raised rib, the lower band with crab, fish, shell and shrimp above aquatic plants and crested waves, the band at the rim with cranes in flight between stylised clouds and swirls repeated on the handle sides, all beneath the cross-join decorated with a central flowerhead and scrolling branches, the flat fitted cover with cranes in flight amongst stylised clouds and swirls within a double ring with three bamboo openwork nodes forming the finial.
A Chinese porcelain blue and white cylindrical brushpot, bitong, painted with a scholar seated on a rocky promontory and another crossing a natural bridge, all in a mountainous river landscape scene, with winter pine trees, a house in the distance beneath the moon, above a band of castle wall at the foot and beneath sprays of pine at the rim, the blue of luminous tone.
Blue and white dish painted with a barefoot lohan holding up in his right hand a pagoda containing the ashes of Buddha and in his left hand a peach, the symbol of longevity.
A Chinese porcelain blue and white vase of yanyan form, painted on the body in a continuous mountain scene with a fisherman pushing his boat away from a rocky promontory, the reverse with a scholar and attendant on a rocky pathway, beside pine and wuti, beneath birds in flight, the trumpet neck with the same scholar and attendant and a fisherman seated in his boat while fishing in the river with a pavilion tucked in the mountains, all between stylised bands of clouds, with a band of triangles above the slightly flared foot.
Blue and white saucer dish painted with a seated arhat resting his chin on his hand on his raised knee contemplating a yin and yang symbol, his shoes off, beneath stylised clouds and the moon, within a sawtooth pattern and single ring border, the rim with mushikui.
Blue and white saucer dish painted with a seated arhat resting his chin on his hand on his raised knee contemplating a yin and yang symbol, his shoes off, beneath stylised clouds and the moon, within a sawtooth pattern and single ring border, the rim with mushikui.
Blue and white saucer dish painted with an arhat standing on his left bare foot, his right foot raised, looking back with his left arm raised, his right hand holding a crutch, beneath stylised clouds and the moon, within a sawtooth pattern and single ring border, the rim with mushikui.
Blue and white saucer dish painted with a seated arhat resting his chin on his hand on his raised knee, his shoes off, contemplating a yin and yang symbol while his crutch rests behind him, beneath the moon and stylised clouds, encircled by a sawtooth and single ring border, the rim with mushikui.
Blue and white saucer dish painted with a seated arhat resting his chin on his hand on his raised knee, his shoes off, contemplating a yin and yang symbol while his crutch rests behind him, beneath the moon and stylised clouds encircled by a sawtooth and single ring border, the rim with mushikui.
Blue and white plate painted with Shide the Buddhist monk with bare feet walking in a fenced garden, wearing simple robes with a tied gourd suspended from his belt, holding a broom in his left hand, his right hand pointing at the sun, an inscription beneath below stylised clouds, within a double ring, the almost flat everted rim with upturned lip painted with chequer design, the underside with branches and half moons.
A Chinese Imperial porcelain blue and white Tibetan style butter stem cup, su you deng, painted with eight different lança characters above lotus flower heads and enclosed by scrolling foliage and leaves above a band of leaf shape lappets with ruyi heads and a stylised flower head at the top of the stemmed foot, all above a single rib decorated with flower heads and pendant tassels on the splayed foot, the well of the interior with a large stylised lotus flower head medallion.
A pair of Chinese porcelain blue and white openwork double walled ewers and covers, each of pear shape with upright galleried rim, the body with four panels of honeycomb openwork cash above underglaze blue and white inner walls, all between bands of stylised flowers, the neck with two blue ground panels of peony flowers and branches, the handle and spout with scattered foliage, a band of scrolls at the galleried rim repeated on the cover rim, beneath openwork flower head bud finial.